Amusing myself with writing vignettes. Here’s one. Constructive criticism is welcome. ———————————————————-
“We can try to fight our way out with just swords in hand and die. Sixty eight men, even in better armor than the savages, won’t get through the thousand waiting for us at the foot of this hill. They only reason they haven’t come up to get us is they don’t know we can’t shoot. Or we can sit here and try to eat that damn gold idol!”
The situation was dire. Yesterday, the five mules that remained of our once-ample supply train fell to the arrows and javelins of the pursuing locals. With them, perished all of our meat and wine, and most of our lead. The gunners burned through the handful of shots they still had in bandoleers to break us out of the ambush. We did get to the hilltop temple, finding the biggest gold idol we’ve ever seen right when we could not shake off its riled-up worshipers.
“Captain, we have just six halberds in the ranks. Everyone else carries arquebuses. What are we supposed to load in them, pebbles?” My second in command was panicking himself into a demotion, but he could hardly be expected to care about rank when our very survival looked so unlikely. “There’s no pebbles here, and they won’t fly straight anyway.”
We had tried pebbles before: at thirty paces, the wood and fabric armor of our foes turned them, whereas a proper bullet went through both the shield and the savage at seventy. In any case, we had no pebbles at the top of this God-forsaken volcanic rock. Without lead, our men had but their dirks to wield against spears and arrows of the painted red men awaiting us on the way out of this trap.
The irony of it all! The gold idol must be eighty pounds of almost pure metal that we can’t bring home. We can’t stay here long either: we have no food, and what water and wine we still have shall run out by morning. Our one full keg of powder holds a dozen charges for every man, and we even have fabric for wads…just no lead. Europe is full of alchemists seeking to turn lead into gold, and here we are, in need of the reverse miracle.
Night is coming, and the mountain cold with it. We are still dressed for the jungle below. I tell the sergeant to make camp around the temple, and to build two fires. One by the wall, leeward, the other on the narrow path going to the top. If out pursuers attack in the night, we would at least see them. Our own fire should keep us warm and give flame for slowmatch or fuse. I fuse the powder keg in case we are overrun.
There’s little vegetation here, so we make fire with the lacquered wood from around the idol. As the splinters catch and flare, we all must draw back from the flames that are hotter than hellfire. Whatever they used on the wood burns hotter than charcoal without even a bellows.
“Cut it!” I shout. “Cut the idol!”
The troops look at me with incomprehension. A captain will get replaced if he cracks under pressure.
“Bring the bullet molds,” I tell them “Put the gold in them.”
The men obey, some nodding their heads at my madness. Wine mixed in with water in a morion quenches the reddish ball. After it cools, I heft it in open hand: it feels much heavier than lead and somehow more significant. I wad the ball with a piece of cloth cut from my own shirt and roll it into an arquebus barrel, over a charge cut by a third. Tamp it in place with the rod, replace the rod. Prime the pan, close it, then light slowmatch.
“Pace something out to thirty steps” I say, and one of the men settles a badly dented breastplate against a rock.
I sit and take careful aim, wishing for a fork rest. In the shifting light of the campfires, the target seems too far away for a true shot. As glowing red dot dips towards the priming powder, I close my eyes and listen to the hiss of ignition. The boom from the muzzle sounds deeper, the push against the spaulder harder than I expected. The smoke drifts off with the breeze, revealing the armor unbreached but caved in as if with an iron fist. Gold wash covers the entire front of the plate.
“Start melting,” I say “Don’t quit while you have the food for the fire.”
By morning, every arquebusier has an even dozen shots. The idol is gone, with mere specs of metal marking the spot. None of the lacquered wood remains in the temple. The ground around the fires is thick with shiny black soot. We light matches, form up, and march slowly and orderly down the narrow path.
Our foes do not wait for us, but climb the narrow path with every kind of sharp and pointy thing in hand. Fortunately, their bows are feeble and carry but thirty paces. We pause at fifty and let loose the first volley. The lieutenant and I stand higher on the path and see yellow streaks appear from the smoke to smite the first rank…and the second. Some in the third fall too. Our bullets arrive streaking gold and leave splashing red. The second volley follows as the smoke lifts. After the third, the path is clear of the living. The dead don’t bother us.
By noon, we reach the grassy plain and march for the cover where our ship awaits. The savages pursue, we reform into ranks when they get too close. They charge, we volley, they recoil, we march again. By the time we reach the water’s edge, all ammunition is gone but what’s in the bores. Our ship rides close, but the enemy swarm is closer. The shipboard cannon can’t reach them without hitting us too. We see the solid shield wall and let loose with everything we’ve got. The last of the golden streaks arced away. Firelocks on the ground, swords out, polearms to the fore!
We broke them. Sixty one of us, most wounded, boarded longboats. Back on deck, the crew wanted to know if we found gold…
Much of the political process can be likened to auto-immune disorders: segments of the body politic hijacking the defensive organs of the society, such as police, to attack other elements of the body. In that way, a small and relatively weak group can dominate or exterminate larger groups in the competition for resources.
In the ideal society, that resource competition (socialism) is replaced with comparative advantage cooperation (capitalism). But that ideal society has no need of commissars, and that hurts the feelings of those sense of self-worth is predicated on being in control of others.
I just tried comparing a full-frame 43MP Sony A7R3 and 135/1.8 Sigma lens bought for $1200 to a 16MP micro 4/3 Panasonic GM5 with an adapted FED 50/2.8 lens (E26m) obtained at a used book store for $4. Sony wins considerably on all counts other than size, which is to be expected. GM5 was obtained for the pocket camera role with a 20/1.7 lens.
135mm can be used almost directly into light sources. The 52mm, especially since it has wider coverage than needed, cannot — but its contrast improves greatly with a lens shade or a hand used as a gobo. Edge sharpness on the 52 falls off rapidly, even though only the center quarter of the lens area is used by micro 4/3 camera.
Conclusion: expensive modern lenses are better than cheap obsolete lenses. A real discovery, right? The purpose of my quest was to see if I could use the 52mm for stylizing 1930-1950s look in camera. The answer is “yes”, but focusing has to be done with great care. Even zoomed in, focus was difficult to obtain. The reason I was curious about the 52mm is that I started my photo learning on a FED camera with this or a very similar lens.